all being routed through mainstage and the MAC TO/FROM the ZED which I use anyway. Then instead of having to loop on the G3X in realtime I could actually build songs/sets with percussion, pads, extra guitar, etc. I might be able to leave the G3X in the bag and plug acoustic into the ZED, get some cool sounding patches using SGear and built in stuff in Mainstage. I have an acoustic show on Friday, I'm already wondering how to build a rig to get my feet wet. It should also have multiple dedicated outs so for example the click could be routed to a dedicated output and possibly even a dense mix (percussion, bass, softsynths) could have dedicated outs which would run to an upstream FOH mixer? So I need to figure out how I want to control everything (I need a midi keyboard controller for recording anyway) and I'm thinking the interface IN/OUT of the Mac should have 5 pin midi I/O for use with a foot controller. I had a Presonus 16.0.2 which I loved, I bet that would integrate beautifully with this type of setup. I need to map things out but this could be tremendous for stepping this up at cover AND original gigs (including acoustic). I think they also bundle those with Ableton Live Lite and some nice plugins as well. I've seen some cool vids with a guy using Mainstage and a Focusrite. I need to consider a dedicated sound card and have a lot of experience with Focusrite (Scarlett and Saffire) on the PC side. Mainstage loaded up with some killer stems + live guitar(s) using SGear and possibly live stabs/triggers using a foot controller / USB midi keyboard and SynthMasters. Keep in mind this is using my ZED 10FX which only has a stereo out (L/R) so there are no real options for routing and such, but I'm starting to think this could be an insane rig. so in seconds I'm jamming to the backing tracks (testing mode) and playing SGear in realtime! Mainstage found SGear, my softsynth SynthMasters. I was checking the amp sims (pretty cool) and then I realized for the original recording (in Reaper) my guitars are using SGear so why not try to incorporate both. I bought Mainstage ($30!) and I was able to export stems from Reaper as a test, bring them into Mainstage and do some testing. This is currently the best MIDI foot controller available in my opinion.Thanks so much for the replies guys. Once you get your first thing programmed it all follows the same easy formula to program. I have seen some people saying it’s difficult, but it’s really not. Programming this controller is rather easy. If you’re in search of wah wah filter plugins, I recently just put together an incredible list for your reading. This is made simple by the Behringer FCB1010. Say you want to use one of the pedals as a wah or tremolo and use another as a volume or chorus effect. You can use this controller to take control of your amp as well. You don’t feel like you’re going to break it when you hit it with your foot. This helps when performing live because you can actually see which pedal you’re hitting in the dark. It has 10 different pads you can program and they all are lit up. This is a stompbox-style foot controller and I like how easy it is to hit when playing. The Behringer FCB1010 is an extremely reliable and versatile trigger pedal. All of these have their own purposes and uses & it is up to you as the musician to decide which route you want to go. You will see below that I have listed 6 great MIDI foot controllers. Let’s take a look at my favorite MIDI Foot controllers. I have used this for the past 2 years averaging about 100 shows a year and I have yet to have a problem with it. It’s hands down the most reliable and affordable option available right now. The MIDI foot controller that I recommend is the Behringer FCB1010. We will launch intros and outros from our controller without having to rely on a track system that can easily fail. The foot controller does just that for us as it allows me to play keyboards with my hands and launch clips with my feet. I play keyboards in a synth-heavy band and we are always looking for ways to be playing everything live. My personal experience with MIDI foot controllers is I use one every night on tour. In this article we are going to be taking an in-depth look at the best MIDI foot controllers available. This makes it so you’re not just running backtracks when playing live all of the time. No matter what instrument you are playing, you can use a controller to launch scenes and clips that you’re not able to play. Have you ever been playing a show and wishing that you could be doing more live? A MIDI foot controller now makes this possible.
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